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Camille Pissarro Art Prints

Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters. Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment. In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.
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Woman Hanging up the Washing, 1887
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Avenue de L'Opera, Paris, 1898
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Chestnut Trees at Louveciennes, c.1871-2
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The Seine and the Louvre, 1903
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Girl with a Stick, 1881
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In the Garden
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Boulevard Montmartre, Spring, 1897
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The Red Roofs, or Corner of a Village, Winter, 1877
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Snow Effect at Eragny, 1894
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The Pont-Royal and the Pavillon de Flore, 1903
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Autumn Morning, 1892
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Female Nude seen from the Back, 1895
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The Louvre, 1902
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The Cottage
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The Church and Farm of Eragny, 1895
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The Avenue de L'Opera, Paris, Sunlight, Winter Morning, c.1880
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Vegetable Garden at the Hermitage, Pontoise, 1879
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Place du Theatre Francais, 1898
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A Rest in the Meadow, 1878
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Landscape at Chaponval, 1880
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31" x 26"
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The Little Bridge, Pontoise, 1875
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Landscape at Chaponval, 1880
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The Road from Louveciennes, 1870
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Winter Landscape at Louveciennes, c.1870
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