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Camille Pissarro Art Prints

Camille Pissarro was born in the Dutch West Indies to a Jewish father and a Creole mother. Despite the insistence of his father, Pissarro refused to make his career in commerce and left for Paris in 1855 where he entered the Academy Suisse. Initially, he was trained in a conservative style, but by the early 1870s, rejected this training and joined the Impressionist painters. Of all the Impressionists, Pissarro was unique in his avoidance of river and seascapes, choosing instead to re-create the beauty of the land and cityscape, both structure and activity. He had the ability, like Monet, to capture a specific scene at a particular moment. In 1885, Pissarro joined the Divisionists, adopting a loosely pointillistic technique. He soon abandoned this technique, however, and returned to Impressionistic ideas.
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Chestnut Trees at Louveciennes, c.1871-2
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The Seine and the Louvre, 1903
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Woman Hanging up the Washing, 1887
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Girl with a Stick, 1881
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The Red Roofs, or Corner of a Village, Winter, 1877
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Avenue de L'Opera, Paris, 1898
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Snow Effect at Eragny, 1894
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In the Garden
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The Cottage
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Rue Saint-Honore in the Afternoon. Effect of Rain, 1897
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16" x 24"
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Woman in the Meadow at Eragny, Spring, 1887
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The Wheelbarrow, Orchard, c.1881
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L'Hermitage at Pontoise, c. 1867
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View from the Artist's Window, Eragny
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Corner of a Garden at the Hermitage, 1877
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11" x 14"
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The Harvest, 1876
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The Little Bridge, Pontoise, 1875
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The Church and Farm of Eragny, 1895
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Landscape at Chaponval, 1880
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The Road from Louveciennes, 1870
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Winter Landscape at Louveciennes, c.1870
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The Gleaners, 1889
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Landscape, Louveciennes
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The Vegetable Garden with Trees in Blossom, Spring, Pontoise, 1877
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